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Tuesday, June 21, 2011

Must Read of the Week: Fathers


Rather appropriate in the afterglow of Father's Day Weekend (and all too sad, I'd not finished it prior to the weekend's celebration).  Andre Gerard edits a collection of essays on Dad, which sounds all too cliche and familiar.  What's remarkable is the authors amassed between the covers.

Gerard is a scholarly sort, that much is evidenced here.  The reader can witness his passion when looking at the essays he's assembled - Franz Kafka, Thomas Hardy, Virginia Woolf, Alice Munro, Margaret Atwood, and other literary greats.  As a huge fan of Kafka, a literary sort myself, and a ravenous reader, I foudn this collection more insightful in that I'd never read any of these essays before.  Typically, in these collections, the essays are things you've seen elsewhere, read before, or have that all-too-familiar feel to it.  Gerard doesn't pull that cheap trick on the reader.

The Kafka piece alone, since we're on the subject, is worth the price of admission.  It's perceived as an angst-filled letter to dad, one that surmises a not at all pleasant upbringing.  In quintessential Kafka style, the thing ends with: "My life has been filled with terrible misfortune; most of which never happened".  This "letter" to dad, later was identified as a work of fiction.  It's superb.

Other highlights include a graphic novelization ode to Father from Alison Bechdel entitled "Old Father, Old Artificer".  You've got the obligatory Sylvia Plath poetry ("Daddy").  And an inclusion by Leonard Cohen (which may be the coolest thing ever).

Running over 400 pages, this hefty paperback is perfect to revisit time and time again.  If you didn't snag something spiffy for Father's Day, or you did and it as a gift card, give this book a try.  Meanwhile, I'll pester Mr. Gerard to see if he's got "Mothers" in the work.
Fathers: A Literary Anthology

Tuesday, June 14, 2011

Doc: A Novel

It's a funny sort of thing.  The summer season of movies is here, and we all walk into it with expectations high only to be saddened by the reality.  It's like that, too, with books.  As we left 2010 behind us, I was super stoked for the 2011 book season.  There was a lot to look forward to, but nearly half of my expectations have been shattered.  Since we're halfway through the year (if you can believe it), I figure I'll offer up my best of list, thus.  Beach season is upon us, so please order these, visit your library, and as always, click the links, which does offer a little back to the Authors Speak.


20. Jimmy Plush, Teddy Bear Detective by Garrett Cook.  By far one of the weirdest mysteries that you'll take with you to the beach.  Seriously, though, if you're a fan of Harry Bosch or Philip Marlowe and always wanted them to be skewed a bit, this is the book for you.  Prostitute furries, corruption, and one foul-mouthed teddy dick, is all you need to know.  But rest assured, if you're carrying this one to the beach, just the cover alone is sure to garner you a few interesting glances.  It's a networking thing, kids.

19. The Fifth Witness by Michael Connelly.  I've been so pissed off with Connelly lately.  His prose has been awful, dialogue dreaful, and everything feels rehashed.  Fortunately, this is a return to style.  It's a Mickey Haller novel, which is good.  I think I needed a break from Harry Bosch for the time.  Still, this is a fast-paced read.  (For the vintage feel, though, revisit The Poet or The Narrows, or both).

18. The Frozen Rabbi by Steve Stern.  Technically speaking, this book was last year's news.  In my defense, the paperback came out yesterday, though.  So count it.  The Frozen Rabbi was a delightful little read.  It tells two separate storylines with ease - one of Bernie Karp, the young lad who discovers a rabbi on ice in the freezer whilst looking for a piece of liver to "deflower"; and the other of the poor nineteenth century rabbi who found himself frozen.  How the rabbi went from Poland to the middle of Tennessee is a welcomed tale that belongs on the shelf with the best of James Morrow.

17.Robopocalypse: A Novel by Daniel Wilson.  Alls I'm sayin' is this is a must read.  I enjoyed the hell out of it, and got a groovy World War Z vibe from it (though, Max Brooks' epic is much better).  If you think technology is creeping in on us, you're totally right.

16. Hunting the Moon Tribe by David Agranoff.  Vampires, kung-fu, Asian lore...this feels like a vintage horror novel.   It's good.  But more to the point, it's scary and poignant.  Horror of late has lacked a real emotional chord - that thing that makes us scared for the characters.  Agranoff not only creates weird, terrifying landscapes, but he makes us care for the outcomes.  Solidly written, fun - read it.

15. Tales of Sin and Madness by Brett McBean.  Loved this collection of horror short stories.  Brett McBean has a creative mind, and has woven the readers a collection of tales that feel like classic Rod Serling...only weirder.  We get the hopelessness of horror-past, the frenzied tension of a Tales from the Crypt episode, and never once does the collection disappoint.

14. Basketball Junkie: A Memoir by Chris Herron.  Okay, this is a little heavy for the beach, but it is one of the best books of 2011 by far.  Chris never once pretends, offers excuses, makes apologies for his addled behavior.  What he does offer is an unscathing look at talent squandered by heroin and cocaine that will serve as a cautionary tale for years to come.  I wished I'd seen the man play for the Celtics, 'cause I'd probably be more influenced by it.

13. The Morbidly Obese Ninja by Carlton Mellick III.  Carlton Mellick is an acquired taste.  I think if you want to toe the weird there are other writers out there, but if you want to jump right into the deep end, there's nobody better than Mellick (or CM3, as the kids are saying).  The Morbidly Obese Ninja...well, if you want to imagine a fusion of manga, anime, and literary talent, there you have it.  The anime style is solid, and vintage Mellick vibe runs strong with this one.

12. Bye Bye, Baby (Nate Heller) by Max Allan Collins.  Expect me to discuss more on this one in the coming weeks.  This book doesn't drop until August, but you should at least make plans to order the hell out of it.  I adore Nate Heller.  I do.  I always have, and I've always grumbled that Collins doesn't get more respect.  Bye Bye Baby may be my favorite to date, as Heller investigates the death of Marilyn Monroe - with a litany of suspects including Sinatra, Jimmy Hoffa, Bobby Kennedy, and plenty more.  A solid read that captures the stylized sixties as only Collins can.

11. Electric Barracuda: A Novel by Tim Dorsey.  A Serge A. Storms book rarely lets me down, but this is a return to the form of the early days.  Toss in bonus points for inventive deaths (as always), including death by those little capsules that you plant in water and blow up to be a sponge.  Yeah.  Oh, and did I mention that Serge may be a father?  Yup!  Little bit is along for the ride.  This one rocks hard and is perfect for the beach season.

10. Stories I Only Tell My Friends: An Autobiography by Rob Lowe.  Call me sentimental, but I loved this book.  I adored the feel of it, the nonchalance vibe of it.  I love the Charlie Sheen prattle.  I love the no-apologies made about the sex video.  I just liked it.  It may be ego, but that should be enough for you.

9. Black Hole Blues by Patrick Wensink.  Pop culture comes easy for Mr. Wensink, as evidenced in his collection Sex Dungeon for Sale.  This amps the game.  Oddly, what I lacked in Sex Dungeon, I more than was satisfied here.  Kenny Rogers is a mutant-faced demon, and if you've ever harbored a hatred for him, this is the book for you.  A look at the country music industry, in a very similar vein to Bill Fitzhugh's Fender Benders.

8. Area 51: An Uncensored History of America's Top Secret Military Base by Annie Jacobsen.  Okay, this is the best military history book in the creation of the military history book.  I'm slightly creeped out by all that is or is not going on at Area 51, but Jacobsen's scathing look at it takes that paranoia and turns it up a notch.  Whether you believe in Area 51 or not, aliens or not, this book is so informative...I challenge you to read it.  It's a look at the base through the years - WW2, Vietnam, the modern day - that basically has thrived on a shroud of mystery and a "you don't need to know" basis.  It's not the easiest read, but it is easily one of the most enjoyable nonfiction reads you'll find all summer.

7. Devil Red (Hap and Leonard) by Joe Lansdale.  Always a fan of Hap and Leonard, always a proud to carry one of the mysteries with me, always anxious to bask in the Texas-fried gold that is Lansdale.  I thought Vanilla Ride was groovy, but this is just brutal.  While the shelves are populated with 8th grade prose, Lansdale's always getting stronger at the craft.  Here, he inject true dread into the lives of scalawags Hap and Leonard.  And, all bets are off.  You will not want to read this unless you've kept up with the series.  But, at the very least, read Vanilla Ride before you jump in.  The water's good, but you need to know what the hell is going on.

6. A Discovery of Witches: A Novel by Deborah E. Harkness.  Screw it, I liked it.  It's a bit of drivel, sure, but isn't that what beach reading is all about?

5. The Brothers Crunk by William Pauley III.  This is an enjoyable ride from Grindhouse Press.  It's hard to describe, but just ask yourself, how many novels have featured brother burrito salesmen?  Are you still here?  Good.  What Pauley excels at is peppering things with a pop culture vibe.  It's not just references, it's the whole style.  Here, we've got a world that belongs in the 8-bit graphic Nintendo world, complete with cover art to match.  Another book that's going to garner interest at the beach.

4. Should Have Killed The Kid by R. Frederick Hamilton.  A solid post-apocalyptic read that is hilarious at the core.  Hilarious may sound like I'm a sicko, but it is true comedy.  What I loved about the story is that it's so simple (simple on the level of Snakes on a Plane simple).  You've got the trouble right with the title, and yet, this yarn doesn't let up.  It grabs you and runs with you and makes you question if you could kill the kid or suffer the consequence.

3. Bossypants by Tina Fey.  Not sure what I was expecting from this book, but I didn't get it.  I did adore it and came out of it with new found respect for one of the leading ladies of comedy, but it still wasn't 100% what I was expecting from it.  What I do like about it, is the candor, the true laughter (not forced) that is found here.  Outstanding read that you'll see plenty of people with this summer.

2. Lydia: A Novel by Tim Sandlin.  Tim Sandlin has written some outstanding books.  The three that put him on the map, though - Skipped Parts, Sorrow Floats, and Social Blunders - are long past.  I loved Rowdy in Paris, Honey Don't, and others, but I wanted to return to the town I fell in love with.  If you, like me, felt the same, well, look no further than Lydia.  Sandlin drifts right back into the style, the feel that made him popular in the first place.  I absolutely adored this one, despite the so-so critical review.  You can't make me change that.

1. Doc: A Novel by Mary Doria Russell.  Rarely does she leave me empty, but this is an impressive read.  I adore every page, devoured every sentence, and learned more about the Earp/Holliday union than ever before.  If you didn't hear the interview between the Authors Speak and Mary, please listen.  I'm not sure how you'd not be excited about this one.

What did we miss?  There are so many books, so little time, but these 20 are all winners and gems this 2011 year.

The Daunting Script

This weekend I had a conversation with a few people who were working on adapting a short story.  They're a small production company in Baltimore, and they're issue now is that the initial writer is fussing and fuming about their treatment.  Tough ta-tas, Senor Writer.  That's the glory of selling the rights of your work.  Once it leaves the nest, it is somone else's baby.

Along the same lines, I received my update email from Max Barry (whom I adore and am happy he's a friend of the Authors Speak).  If you're a Barry fan, you'll no doubt know that they're filming one of his right now.  At first the angst of the changes was overwhelming (the protagonist went from being named Six to Three, blonde instead of brunette...) for Barry, but as the cast settled into his words, he was moved and...okay with it.

About a week ago, S.G. Browne had a conversation about Star Wars and the horrible writing associated with that movie.  Why did the Death Star have to go all the way around Yavin, for example, to blow it to smithereens, which offered the Rebels all the time they needed to mount an attack.  It's a fair point, to be sure, and one that got the thought process jumping.

This got the ol' cerebral express thinking about adapted screenplays.  It's both a glorious and daunting thing for a writer to sell their film rights.  It's kind of like sending a child off to college, but knowing there's a very good chance that your child will return with piercings, tats, wicked attitude, and potentially a third arm.  Basically, your imagery, your brain baby, will change.  That's the difference between film and the printed page.

But there are some exceptional adapted screenplays; they are so wonderfully crafted that they showcase loving homage to the original source.  I want to get your suggestions on some of these, because adapting someones work, especially staying true to the original, while making it "pop" for audiences with waning IQ is challenging beyond belief.

Some interesting screenplays of note:

Goodfellas, which was adapted by Martin Scorsese and Nicholas Pileggi (who wrote the book it was based on, Wise Guy) manufactured one of the great screenplays of the nineties.  Since Pileggi wrote the book, the transition was a little more natural, but you can see Scorsese's touches - which mainly serve to keep the narrative on track.  It's obvious that Scorsese had a strong love for Pileggi's words and guided the train, while allowing Pileggi to lay the tracks.  If you've not watched this in a bit, I strongly suggest you revisit the thing and listen to the words.  Seriously.

Let's look at a true adapted screenplay, sans writer involvement.  Psycho, Robert Bloch's immortal classic, was adapted by Joseph Stefano for Hitchcock.  Hitch gets most of the credit where the film is concerned (and rightfully so), but seldom do you hear Stefano's name in regard to this cinematic juggernaut.  Bloch's novel was ahead of its time, as was Psycho.  To boldly adapt the story, to set up the scene (without Hitch's gimmicks) was a fairly risque task to begin with.  This, by far, is one of my favorite screenplays...and the AFI agrees.

Sometimes works need to be updated.  In this day, while our intelligence level hovers on the brink and our impatience is rampant, we're not getting as much from the flappers of the roaring twenties...sorry Fitzgerald.  Apparently we can't enjoy Austen without the addition of zombies.  Updates are needed from time to time, and one of the best classic updates is in John Milius' screenplay for Apocalypse Now.  I feel that even Conrad would have been blown away.  Orson Welles tried for years and years to make a loyal adaptation of "Heart of Darkness", to no avail.  Time moved on and Coppola sees the madness of Conrad's work could work exceptionally with the madness of Vietnam.  Good call, kid.  (Watch Heart of Darkness: a Filmmakers Apocalypse, by the way, which documents the entire filming of the movie).

A true homage artist, I always adore Frank Darabont.  Say what you will about the stuff he makes (or the lack of recognition he receives), the man's an artist with a hard-on for Stephen King.  And, he lovingly pours himself into everything he does.  Take The Shawshank Redemption for instance.  This script plays like the short story it is based on.  It opens slightly different (just to set up Dufresne's plight), but the first line of dialogue is ripped straight from the page.  Beautiful poetry.  And Shawshank's not all...Darabont did wonders with The Green Mile and The Mist.

But the man I loathe and love the most has got to be Steve Kloves.  I hate some of the choices that Kloves has made with the Harry Potter films.  That said, Kloves has more of my respect that any other working Hollywoodite.  Why?  Well, it's simple.  The man's been working on the scripts (all of them) since the beginning.  When these started popping out, the books weren't even finished yet.  I'm sure Rowling had an inkling as to where the story was going, but there are many things along the way that prove important - things that were omitted in earlier books.  Imagine the daunting task of adapting a novel: you cut out this one piece because it won't play on the screen, and it's such a minute detail in the third book, so no foul, then the seventh one comes out and it's vital.  Damn.  It's not been easy, I'm sure.  And, I'm sure, that Kloves has had those "Oh Damn" moments as the books have dropped.  I know the viewer surely has.

What are some of your favorite adapted screenplays?  We want to know, so that we can build our summer movie list.

Thursday, June 9, 2011

My Birthday Gift to the Reader

It's commonplace for one to receive gifts on their birthdays, but Geminis are different breeds.  For all the readers who have aided in the success of The Authors Speak (and my personal writing career), I'm offering you a chance to do what you do best - read!  Karaoke Death Squad will be coming out later this year.  I think you'll like it and, biased as my opinion will be, it will be a must read this year.  Hilarious, touching, and sure to entertain. 

S.G. Browne, author of the bestselling BREATHERS and FATED says:
Mays belts out his prose with the swagger of Mick Jagger, taking you on a narrative odyssey that includes a reluctant hero, a trio of dangerous sirens, and karaoke roulette. Fun and imaginative, Karaoke Death Squad hits all the right notes.


And, Greg Hall, author of AT THE END OF CHURCH STREET and the host of the Funky Werepig says:
You’ve been having the same old sex with the same old girlfriends in the same old town. Then one night a Russian gymnast with a tongue piercing and five pairs of edible underwear introduces you to the Kama Sutra. That’s what reading Eric Mays’ work is like. You wake up the next morning giggling and you walk funny for a week.


So, enjoy the first chapter.

1.


If anyone ever shoves a gun in your face (or knife, or chainsaw, or weed whacker, or any weapon of mass destruction) and asks if you have any last words, a word of caution: it’s harder to come up with last words under pressure like that. It’s harder still when you have a piece of rebar impaling one side of your body, puncturing your left lung, leaving little huffs and puffs that sound like slippery farts.

Max Baer’s last words were, supposedly, “Oh God, here I go…”

Marie Antoinette’s were far more eloquent, albeit fucking French: “Farewell my children, forever. I go to your Father.”

John F. Kennedy’s were appropriate and slightly ironic. When he arrived in Dallas, he was reported to have said, “If someone is going to kill me, they will kill me.” I’m sure Jackie was proud.

And, my personal favorite is from Pancho Villa. “Please don’t let it end like this. Tell them I said something.” Honesty is always a grand policy.

Welcome to my third most valuable skill: Odie’s Infinite Database of Useless Facts.

Even with Pancho leaving a “fill-in-the-blank” sort of legacy, all of them were far more eloquent than my twenty-first century mind would allow. And, were I capable of that eloquence, none of them had rebar puncturing a lung. It’s hard to concentrate on composing your last words when you hear a sucking sound from your chest with every breath.

Instead of coming up with something esoteric, a sentence that described my legacy, I shuffled through my cerebral jukebox. That thing was stuffed full of every karaoke song I’d sung and every song I’d ever heard butchered (sadly, once I had heard a song butchered I could never hear it any other way, ever). It would be appropriate for a karaoke ace to go out with a song, rather than some trivial line that would serve as nothing more than a Trivial Pursuit answer.

I could sing Sinatra’s “My Way”, if it weren’t so cliché for the situation.

There’s Bon Jovi’s “Dead or Alive”, which is way too overdone, and the only way I can remember it is in the drunken warbling of a three-hundred pound redneck.

“Stop wasting your time, Natasha,” the Russian girl with the axe said. “This pig’s not coming up with any last words. He’s just stalling.”

There were women flanking me. Normally I’d love that I was surrounded by women – a rarity, to say the least. However, I preferred my women to have a little more cushion, a little less attitude, and no weapons. This crew looked like they just stepped out of a Mary Kate and Ashley cloning machine. They all pretty much wore the same thing, just in different colors: scraps of clothing that covered the strategic zones, high heeled leather boots, and glow-in-the-dark scrunchies. At least they understood the value of keeping viscera out of their locks when going on a killing spree.

Katya, the skank holding the axe, had thick black eyeliner that made her look like an anorexic raccoon. Her chosen color was pink.

Natasha was the one that held the gun to my temple. I didn’t know what kind of gun it was, ‘cause I couldn’t see it. Even if I could see it, though, I wouldn’t know the slightest thing about it. I’m not too good with guns. I just knew the sound they made and, now, the way they feel when pressed against your head. Natasha’s hair was raven-black and she’d opted for pale green.

She pushed the gun barrel into my forehead birthing a tiny migraine within my skull. “That true, little piggy? Are you just messing with us?”

I opened my mouth to answer and nothing came out. My saliva had long disappeared and it seemed I was incapable of speech. “Water?”

“Pathetic last words,” said the bitch in blue. I think her name was Natalia.

“Not last words,” I wheezed. “I need water.”

“Get him water,” Natasha ordered. I heard her finger flicking the trigger of the pistol, the springs within the pistol’s body boinging. Or else I was imagining that.

“Natasha!” Katya protested.

“Water!” Natasha answered.

Apparently we had stooped to one word conversations. Fine by me. It would make my final words that much better.

It was only appropriate that my last words were a musical number. It was only right that I left this mortal plain in a Les Mis sort of fashion. Which left the big question: What to sing?

Bonnie Tyler’s “Total Eclipse of the Heart” popped into my mind. Once upon a time I was falling in love, and now I do only seem to be falling apart. Still this seemed an inappropriate exeunt.

Maybe “Don’t Fear the Reaper” by the Blue Oyster Cult. Somehow, though, it’s hard to find an upside to death when you’re surrounded by killer models that look as if their diet consists of Smirnoff and sperm.

Katya shoved a pint glass filled with water into my hand. It spilled over the rim of the glass and splashed on my wrist. I instantly felt that she’d filled it with warm water. What a totally heartless bitch! Still, warm water was better than no water when you were bleeding out – just an FYI should you ever find yourself bleeding out and in a similar situation.

I wasted no time sipping the warm contents. It wasn’t as good as a tall glass of ice water, but it sure beat a tall glass of shut the fuck up. I took my time with the water, praying that their insatiable desire for death and destruction would wane. I also took that time to race through my cerebral juke, hoping to finger that perfect number and praying that my one operable lung would work with me. Nothing seemed to be appropriate, though.

Karaoke is kind of like life in many respects. If you made a mistake (or a poor song choice) you learn from it and always had a do-over. In this little scenario there would be no do-over. The choice of the song was uber-important and the only

“Knockin’ on Heaven’s Door”, perhaps? I wasn’t a fan of Dylan or Axel and I was certainly positive that I could not hold a Dylan-esque or Axel Rose-esque warble for very long while struggling to suck air.

“Stairway to Heaven”? This was a clichéd choice, but held so much potential. After all, I’d been known to smack the person who requested to sing this song on karaoke night. If you were an attention hog and felt the need to sing a ten minute ditty, for the love of Christ, sing something upbeat. Though, in this situation, I was thinking a ten minute ditty could buy me a little time.

Eric Clapton’s “Tears in Heaven” would be a nice touch. It was too much of a downer, though. Even though my demise was depressing (to me anyway), my inner showboat would not allow me to go out on a downer.

Then it slapped me in the head like a raw fish. The choice was perfectly clear! It was a long enough tune and it was the perfect showstopper: Meat Loaf’s “Bat Out of Hell”. It would be difficult to belt the higher notes with a punctured lung, but I was confident I could hold it together long enough to rock it.

“I want to sing,” I wheezed.

“Little piggy,” Natasha said, “are those your last words?”

“No. I want to sing a song. Y’know, my final number. Seems appropriate, eh?”

“Natasha!” Katya protested again. She really was impatient.

Natasha said nothing in response. I could still hear her flicking the trigger, still hoping she wouldn’t tighten that grip just yet. There was no hope for performing Meat Loaf’s immortal classic with most of my brain decorating the interior.

I tried again: “We all met while doing the ‘oke. Let me have one final number. I’ve earned that.”

“Natasha,” Katya tries once again.

“Okay,” said Natasha, stopping the flicking for a moment. “I’ll humor you, piggy.”

Natasha drove the gun barrel into my head like a jackhammer. At a glance you would never guess that she was that strong. Feeling what I was feeling, I was certain she could take down three body builders and a pack of ravenous hyenas with the slightest flick of the wrist. Oh yeah, I forgot. She could. I’d seen it. It was one of the upsides to being a demon.

“No funny business,” she said.

“None,” I responded.

“Natasha, I cannot believe you are going to…”

Whatever lament was pouring out of Katya’s mouth was cut short by the blast of the pistol in Natasha’s hand. The smell of cordite filled my nostrils and I found my ears ringing. I shot a glance over to Katya and saw a hole in her right shoulder. It was a macabre vision, but I knew that she wasn’t seriously wounded.

Natasha began shouting at her comrade. It was a language I’d heard them use, but it was not of this world. I wasn’t sure what she was saying, but it sounded as if Katya’s ass was being handed to her.

Once the shouting subsided, Natasha was kind enough to turn on the soundboard and wheel out the karaoke monitor for me. She hurled a karaoke binder at my feet and I wasted no time flipping to the “M” section. The track was labeled B-1145. I got to my feet and inserted the correct CD into the system.

It was time to rock.

The music started. I knew there was a one minute and fifty-two second bitchin’ interlude, so I allowed my mind to wander a bit. How the hell had life gotten so far out of control? Never in a million years would I have thought that karaoke would result in my demise.

“No funny business,” Natasha repeated over the sharp piano and guitar riffs blasting from the speakers.

“No ma’am.” I nodded and sucked air the best I could. There was no time to pontificate on the possible implosion of my chest cavity. It would have to wait. I raised the microphone to my lips, all second nature like.

“The fires are screaming and winds are howling, way down in the valley tonight!”

There was a real challenge to wailing Meat Loaf. It required an operatic oeuvre that most guys lacked. It also required the ability to hold those highs for such a stretch of time. And, as with all karaoke, you had to respect the beauty of the song.

It becomes decidedly more challenging with a punctured lung.

If money were on the line, I should have earned the motherload.

Instinct took over and I hurled my two-hundred-forty pound frame onto a nearby table, landing as agile as ever. Who cared if it was my last song – the last karaoke song I’d ever sing. You had to sell it. It’s all about the showmanship.

“Oh, baby you’re the only thing in this whole world that’s pure, and good, and right. And wherever you are and wherever go, there’s always some light…”

I got low to finish the stanza, then leapt straight into the air and landed right in front of Natasha, nose to nose. I stared into those flawless gems that were her eyes and: “Like a bat out of hell I’ll be gone when the morning comes!”

Believe. You have to believe the words. And as I let them flow, I stopped thinking about the oncoming chaos. I didn’t care that my end was nigh. I wasn’t concerned with the slaughter that had fallen over my city.

It was only here and now. I only cared about the next five minutes. I only cared about the music.

It’s a powerful thing, and it instantly transported me to a time when…

Wednesday, June 8, 2011

Must Read of the Week (Bringin' it Back Edition)

Naked MetamorphosisCall it shameless promotion, but this was the week I decided to evict myself from the womb in favor of the great big (and oftentimes scary) world, so I feel I'm entitled.  If you've not read it, you should.  I'm talking about my book, NAKED METAMORPHOSIS.  This little read - a quickie to be sure - is a retelling of Hamlet.  So, if you like Shakespeare in general, you like your comedy decidedly British, or you just are filling out the ol' summer reading list, then add this one to it.

In the same vein as Gregory Maguire, NAKED METAMORPHOSIS tells the story of Hamlet through the eyes of Horatio, Hamlet's stalwart college bud.  Though, there's a whole lot more going on than that.  Hamlet's not really seeing spectres and ghoulies, rather suffering the side effects of an ongoing drug problem.  Laertes is a bit of a poofter with masculinity issues.  Ophelia has her own set of problems.  And Wittenberg, where Hamlet schooled, has its share of troubled students (in the likes of Macbeth and the first black student admitted - Othello).  Along for the ride are Nick Bottom and Puck, making cameos in Hamlet's world.  And if that wasn't enough...it also capitalizes on the Hollywood habit of remaking films.

Imagine, if you will, a Hamlet that was "remade".  In many respects it's a Hamlet that's retold by Franz Kafka.  Then that version was remade by William S. Burroughs.  Then that version was used in a faulty book report by George W. Bush.  You should be getting the picture.

At it's core, it's a historical introspection on all that was going on.  It gets icky at the end.  It keeps the laughs coming.  It's a solid piece of storytelling.  Basically, I'm proud of it, and I hope (if you've not already) you'll pick a copy of it up.  It deserves a home on your bookshelf.  Really, it does.  Think of this as a Sarah McLachlan SPCA commercial, but instead of a pathetic pooch looking at you while she sings "Angel", it's a book longing for your love.  Yeah, that's what it's about.

Happy birthday to me...

Tuesday, June 7, 2011

Allow Me To Introduce You to Jimmy Plush

I'm not sure what it is about hardboiled mysteries that captures my attention so much.  In the nineties I had a lust for the potboilers Michael Connelly was peddling (big Harry Bosch fan).  I always harbor a soft spot for Raymond Chandler, Elmore Leonard, Dashiell Hammet, and Mickey Spillane.  I've always found myself in love with Max Allan Collins' Nate Heller.  And, the oddball thing is that I know how all those books are going to turn out.  The good guys win, the bad guys lose, there are obligatory twists and turns, and the style...well, it's solid.  I want to introduce you to a new kid on the block - Garrett Cook.





Jimmy Plush, Teddy Bear Detective isn't just good; it deserves your money.  At 8.95, this should be added to any Amazon order today.  It's got a kitschy little title that may make you titter with glee and may harken to YA books that are out there today.  Outside of that title, though, this is a solid piece of fiction that warrants attention.

I've read Garrett Cook before.  I'm not as big a fan of Murderland, but I adore the meta fiction Archelon Ranch.  I've been salivating this one for more than two years.  The concept of it, the teaser origin story in the Magazine of Bizarro Fiction have all worked to create sort of a cult dedicated to the foul-mouthed teddy bear.  And I'm all too excited to recommend it.

This is probably the best thing that Cook has published.  Again, title aside, author Garrett Cook has seemlessly captured the voice and style of the genre (you've got touches of noir that sound so real, so authentic) and then turned it on its ear.  If you've found this genre lacking, give it a try.  What works here is that you're looking at the black-and-white world through a jaundiced eye: furries, twisted scenarios, conversations with horses, and, of course, the titular character.  And, just when you think the genre dictates you should zig, Cook zags and keeps the suspense going.

It's a fast read that is sure to leave you begging for more.  And, I feel that Cook's already stewing a continuation of this world.  I hope so, 'cause it's a world I want to revisit again, and again, and again.